狙いどおりに仕上げるには、80-120語を目安にしましょう。効果が実証された次の構成でプロンプトを組み立てます。
導入ショット → カメラの動き → 見せ場・締めWAN 2.2はカメラワークを精密にコントロールできます。動く方向を具体的に指示して、プロ品質の動画を作りましょう。
狙った方向へ安定して動かせますが、ウィップパンはまだ苦手です
構図を保ちながら、滑らかにシーンを見せます
左右どちらの動きもスムーズに
安定した上下のカメラワーク
長く滑らかな追従ショット
ドラマチックに強調する演出が可能に
360°回転の安定性が向上
高速パンは依然として難しい
初回で左右の動きを安定して制御
A low angle shot of a jazz pianist in a dimly lit 1920s jazz bar, playing the piano with concentration. He wears a white shirt with suspenders and black trousers, his hands move rapidly on the keys. Camera pans left to low angle shot of a cute girl with pigtails and glasses playing the trumpet.
Change 'pans left' to 'pans right' for opposite direction
構図を保ちながら、被写体を滑らかに見せます
Close up shot of the determined face of a battle-worn samurai. Camera pulls back to reveal him standing alone on a foggy battlefield, gripping his katana. Camera pulls back to reveal fallen warriors behind him. Wind whips through the trees, sending red autumn leaves swirling.
WAN 2.2がドリーアウトをしっかり再現
In the style of an American drama promotional poster, Walter White sits in a metal folding chair wearing a yellow protective suit, with the words 'Breaking Bad' written in sans-serif English above him, surrounded by piles of dollar bills and blue plastic storage boxes. He wears glasses, staring forward, dressed in a yellow jumpsuit, with his hands resting on his knees, exuding a calm and confident demeanor. Camera dollies out. The background shows an abandoned, dim factory with light filtering through the windows. There's a noticeable grainy texture. A medium shot with a straight-on close-up of the character.
滑らかな上下のカメラワーク
A close-up shot of the feet of a man wearing mountaineering gear, standing in a grassy field. Camera slowly tilts up, revealing the full body of a mountaineer wearing gear. In the distance, majestic rocky mountains tower above.
混雑した場所を縫う複雑な追従撮影
A sprawling cyberpunk metropolis, neon lights reflecting off rain-soaked streets. Pedestrians in futuristic outfits rush by as holographic advertisements flicker in the air. The camera follows a hooded figure in a long tracking shot, weaving through the crowded market. Overhead lights cast a moody glow, while fog drifts through the alleyways. The scene is dark and mysterious, with blue and purple lighting creating a high-tech, dystopian feel.
急速なズームでドラマチックに、コミカルに
In a large dimly lit midcentury modern room, a man sits with an authoritative and pensive pose on a leather chair. He is wearing a dark suit jacket and grey trousers. He has silver hair. The chair is in the center of the screen. Behind the chair, there is an oak console with a lamp. The wall is made of oak panels. The man looks directly at the camera. Camera rapidly zooms in on the man's face. Then he lets out a slight smirk.
360°のフル回転で方向感覚を揺さぶる演出
Overhead shot of a man fallen asleep on his desk in front of his computer. The room is dark except for the light from the monitor. The man's head is on his arms by the keyboard. Around the desk, there is a mess of papers and floppy disks. The camera rolls in full 360 motion.
一貫性のある動きに最適
画質と速度のベストバランス
手早く試すなら16 fps
下書きには960×540
A rainy night in a dense cyberpunk market, neon kanji signs flicker overhead. The camera starts shoulder-height behind a hooded courier, steadily tracking forward as he weaves through crowds of holographic umbrellas. Volumetric pink-blue backlight cuts through steam vents, puddles mirror the glow. Lens flare, shallow depth of field. Moody, Blade-Runner vibe.
Extreme close-up of a mountaineer's ice axe biting into frozen rock. Camera dollies back and tilts up simultaneously, revealing the climber and a vast sunrise-lit alpine ridge behind him. Crisp morning air, golden rim-light, subtle lens flare.
An orca breaches in crystal-clear Arctic waters. Slow 360° orbital shot around the soaring whale as droplets hang suspended. Soft polar sunset lights the scene in pastel pinks and blues; cinemagraphic HDR.
In the style of an American drama promotional poster, Walter White sits in a metal folding chair wearing a yellow protective suit, with the words "Breaking Bad" written in sans-serif English above him, surrounded by piles of dollar bills and blue plastic storage boxes. He wears glasses, staring forward, dressed in a yellow jumpsuit, with his hands resting on his knees, exuding a calm and confident demeanor. Camera hitchcock zooms in. The background shows an abandoned, dim factory with light filtering through the windows. There's a noticeable grainy texture. A medium shot with a straight-on close-up of the character.
PixelDojoのWAN 2.2には、用途に合わせて最適化された2つの画質モードがあります。
超高速生成
プレミアム画質
完成度を高めるには、1回の生成につきメインのカメラワークを1つ指定しましょう
前景と背景の要素を入れて、動きをより際立たせる
テストには高速モード、仕上げには標準モードを使いましょう
同じシード値のままプロンプトを変えて、コンセプトを磨きましょう
80–120 words provides optimal control. Too short and the model fills in defaults; too long and it may ignore details.
Use clear action verbs, reduce conflicting movements, and ensure you're using one main camera movement per generation.
Include parallax cues, reference foreground/background elements, and describe how objects interact spatially.
Fast mode offers ultra-fast generation at 1-2 credits, perfect for testing. Standard mode provides premium quality at 3-4.5 credits for final output.
Yes, but keep it simple. Chain movements sequentially (e.g., 'pan left then tilt up') rather than simultaneous complex moves.
Upload your image first, then describe the motion you want. Focus on camera movements and how elements should animate.