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In its present form, quantum mechanics only predicts statistical averages for the outcomes of many kinds of experiments, including these. Consequently, it is not possible to use the nonlocality present in entangled pairs to send a signal faster than light. But many physicists, in an ambition going back to Einstein, de Brgolie, Schrödinger and the other inventors of quantum mechanics, aspire to discover an improved version of quantum theory. This would go deeper and replace the present statistical theory with a more complete theory, which would provide a complete and exact description of what goes on in every individual quantum process. For such a theory to work, it would have to be based on influences traveling arbitrarily faster than light, thus destroying the principle of relativistic causality as well as our intuitive notions of local influence. Is such a more complete understanding of quantum physics possible? And, how are we to search for it? I believe it is not only possible but an inevitable next step in the progress of physics. I believe that the completion of quantum mechanics will be a major part of the resolution of another deep problem—that of unifying our understandings of gravity, spacetime and the quantum, to produce a quantum theory of gravity. The reason is that there is good evidence that the quantum theory of gravity will itself engender big violations of locality. And, as Fotini Markopoulou and I first proposed in 2003, the violations of locality forced on us by quantum gravity are precisely what are needed to explain the nonlocality brought on by quantum entanglement. If we are to have a complete physics, we must unify the geometrical picture of spacetime given by general relativity with quantum physics. There is some theoretical evidence that this project of making a quantum theory of gravity will require space and spacetime to become discrete and built out of finite atoms of geometry. In the same sense that a liquid is just a description of the collective motions of myriads of atoms, space and spacetime will turn out to be just a way of talking about the collective properties of the large number of atomic events. Their constant coming in and out of being, causing the next ones as they recede into the past, make up the continual construction of the world—also known to us as the flow of time. The aim of a quantum theory of gravity is then first to hypothesize the laws that govern the elementary events, by which they continually come into being and then recede into the past. Then we must show how a large-scale picture emerges, in which these discrete events become subsumed in an emergent description of a smooth and continuous spacetime—as described by Einstein’s 1915 general theory of relativity. Initially there is no space—just a network of individual elementary events, together with the relations expressing which of these were the direct causes of which other events. The notion of the flow of events collectively giving rise to a smooth description in terms of the geometry of a spacetime must emerge—and the most important aspect of this is locality. The notion of distance must emerge, and in such a way that those events that are close to each other are, on average, correspondingly more likely to have influenced each other. Getting this right is the holy grail of quantum gravity theorists. Notice that if this is right, there are two notions of locality: a fundamental locality, which is based on the actual facts of which fundamental events were causes of which, and an approximate, collective, emergent notion of which events are near to each other in space and spacetime. The familiar macroscopic notion of distance is then based on a collective averaging of all the myriad of fundamental causal processes. To get a sense of how much is involved in this average, we expect that during each second there are around 10120 elementary events happening within each cubic centimeter of space. Indeed, one way to approach quantum gravity is to aim to derive the Einstein equations, which are the laws general relativity applies to spacetime, from the laws of thermodynamics, applied to myriads of elementary events. This strategy was introduced by Ted Jacobson in 1995 in one of the few papers admired by quantum gravity theorists of all stripes But here we get a surprise and, quite possibly, an opportunity. For the collective, large-scale notion of nearness is only meant to correspond to the fundamental notion of causality when averaged over vast numbers of events. This gives the individual fundamental events and their causal relations a great deal of freedom to depart from the averages.
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In its present form, quantum mechanics only predicts statistical averages for the outcomes of many kinds of experiments, including these. Consequently, it is not possible to use the nonlocality present in entangled pairs to send a signal faster than light. But many physicists, in an ambition going back to Einstein, de Brgolie, Schrödinger and the other inventors of quantum mechanics, aspire to discover an improved version of quantum theory. This would go deeper and replace the present statistical theory with a more complete theory, which would provide a complete and exact description of what goes on in every individual quantum process. For such a theory to work, it would have to be based on influences traveling arbitrarily faster than light, thus destroying the principle of relativistic causality as well as our intuitive notions of local influence. Is such a more complete understanding of quantum physics possible? And, how are we to search for it? I believe it is not only possible but an inevitable next step in the progress of physics. I believe that the completion of quantum mechanics will be a major part of the resolution of another deep problem—that of unifying our understandings of gravity, spacetime and the quantum, to produce a quantum theory of gravity. The reason is that there is good evidence that the quantum theory of gravity will itself engender big violations of locality. And, as Fotini Markopoulou and I first proposed in 2003, the violations of locality forced on us by quantum gravity are precisely what are needed to explain the nonlocality brought on by quantum entanglement. If we are to have a complete physics, we must unify the geometrical picture of spacetime given by general relativity with quantum physics. There is some theoretical evidence that this project of making a quantum theory of gravity will require space and spacetime to become discrete and built out of finite atoms of geometry. In the same sense that a liquid is just a description of the collective motions of myriads of atoms, space and spacetime will turn out to be just a way of talking about the collective properties of the large number of atomic events. Their constant coming in and out of being, causing the next ones as they recede into the past, make up the continual construction of the world—also known to us as the flow of time. The aim of a quantum theory of gravity is then first to hypothesize the laws that govern the elementary events, by which they continually come into being and then recede into the past. Then we must show how a large-scale picture emerges, in which these discrete events become subsumed in an emergent description of a smooth and continuous spacetime—as described by Einstein’s 1915 general theory of relativity. Initially there is no space—just a network of individual elementary events, together with the relations expressing which of these were the direct causes of which other events. The notion of the flow of events collectively giving rise to a smooth description in terms of the geometry of a spacetime must emerge—and the most important aspect of this is locality. The notion of distance must emerge, and in such a way that those events that are close to each other are, on average, correspondingly more likely to have influenced each other. Getting this right is the holy grail of quantum gravity theorists. Notice that if this is right, there are two notions of locality: a fundamental locality, which is based on the actual facts of which fundamental events were causes of which, and an approximate, collective, emergent notion of which events are near to each other in space and spacetime. The familiar macroscopic notion of distance is then based on a collective averaging of all the myriad of fundamental causal processes. To get a sense of how much is involved in this average, we expect that during each second there are around 10120 elementary events happening within each cubic centimeter of space. Indeed, one way to approach quantum gravity is to aim to derive the Einstein equations, which are the laws general relativity applies to spacetime, from the laws of thermodynamics, applied to myriads of elementary events. This strategy was introduced by Ted Jacobson in 1995 in one of the few papers admired by quantum gravity theorists of all stripes But here we get a surprise and, quite possibly, an opportunity. For the collective, large-scale notion of nearness is only meant to correspond to the fundamental notion of causality when averaged over vast numbers of events. This gives the individual fundamental events and their causal relations a great deal of freedom to depart from the averages.
Un robot dans une cage en bois, il est triste, assis dans cette cage, style ral-ertmsphr,
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a frog rock golem covered in moss and patches of grass. Mountainous area background, anime, illustration, poster, painting, vibrant
Picture a ferocious snow leopard warrior king, seated on a throne of ice and stone in the high mountains. His crown is made from fur and silver, symbolizing his dominance over the vast steppes. His armor is thick and layered, and he holds a long, curved sword, his piercing eyes scanning the horizon for any sign of weakness.
Amateur iphone image, animal photography, snowy winter night landscape with fox meeting a very old man the size of a Nordic farm gnome, wearing Nordic farm gnome clothes, rural farm, darkest night, shot with an iPhone at night
masterpiece, best quality, highres, sharp image, more detail, masterpiece, best quality, highres, sharp image, more detail, **Prompt:** Create an awe-inspiring portrait of Peni Parker from *Marvel Rivals* mid-battle, showcasing her in her iconic mech suit, SP//dr, with a dynamic display of her superpowers: - **Visual Details:** - Peni Parker's features should be youthful yet determined, with her eyes glowing with a brilliant, otherworldly light reflecting her connection to the SP//dr suit. - The suit should be intricately detailed with a mix of futuristic technology and anime-inspired design, featuring glowing circuits, holographic interfaces, and sleek, angular forms. - Emit a vivid array of colors from her powers, with electric blue and neon pink streaks enveloping her, highlighting her movements in a dance of light and energy. - **Style:** - Capture the essence of a high-definition video game still, with a slight anime influence, reminiscent of the vibrant and dynamic art style of *Marvel Rivals*. - Use a hyper-realistic rendering technique with exaggerated light effects to emphasize the power and intensity of her abilities. - **Composition:** - Frame Peni in a dynamic pose, capturing her in mid-action, perhaps launching an energy blast or weaving through obstacles with agility. - Utilize a low-angle shot to enhance her heroic stature, with the camera capturing the full extent of her suit's power display. - Background elements should be blurred, with streaks of light and shadows suggesting a fast-paced, chaotic environment of a battle scene. - **Mood and Atmosphere:** - Convey an atmosphere of high-energy action, with a sense of impending victory, as if the tide of battle is turning in her favor. - Lighting should be dramatic, with harsh, contrasting shadows and bright highlights to underscore the intensity of the moment. - The time of day should be twilight, with the sky behind her transitioning from day to night, symbolizing the shift from normalcy to the extraordinary. - **Technical Aspects:** - Utilize depth of field to focus on Peni while allowing the background to blur, creating a sense of depth and movement. - Implement lens flares and particle effects to simulate the dynamic energy of her powers interacting with the environment. - Consider using a high shutter speed to freeze the action, capturing the exact moment of power release. - **Cohesion:** - Ensure that all elements, from the lighting to the colors, to the composition, work in harmony to create a believable, immersive scene that feels both part of the *Marvel Rivals* universe and a unique
This image is a realistic photo (photograph) of a female real person striking and detailed illustration that features a reclining figure draped in an elaborate, ornate garment. The art style is reminiscent of Japanese manga or anime, with its clean lines, bold outlines, and a focus on the human form. The medium appears to be digital painting, given the smooth blending of colors and the lack of texture that might be present in traditional mediums like oil or watercolor.The colors in the image are primarily black and white, with a few accents of gray. The figure is predominantly black, with the white and gray patterns creating a stark contrast that emphasizes the intricate details of the garment. The background is a monochromatic white, which serves to highlight the figure and the elaborate patterns on her clothing.The figure is adorned with a complex array of patterns, including floral motifs, geometric shapes, and swirling designs. These patterns are symmetrically arranged across the figure, creating a sense of balance and harmony. The patterns are also repeated on the flowing fabric of her garment, which cascades around her in a way that suggests movement and fluidity.The figures pose is relaxed and languid, with one arm resting behind her head and the other extended to the side. Her legs are crossed, and her body is angled in a way that suggests comfort and ease. The overall composition of the image is static, yet theres a sense of motion and grace that is conveyed through the figures posture and the flowing lines of her garment.In summary, this image is a digital painting that features a reclining figure draped in an elaborate, ornate garment with intricate patterns. The art style is reminiscent of Japanese manga or anime, with a focus on the human form and a monochromatic color scheme of black, white, and gray. The patterns on the figure and her garment create a sense of balance and harmony, while the figures pose and the flowing lines of her garment convey a sense of motion and grace.
photorealistic image of sportive girl riding a jetski at sea, slender athletic body, abs, wearing translucent blue reflecting sunglasses and microbikini
A finely detailed talking raven perched on a weathered wooden branch, its glossy black feathers shimmering under the soft, diffused light of a cloudy day. The raven's beak is slightly open, as if mid-speech, and its intelligent eyes reflect a deep understanding. Capture in realistic style, focusing on texture and the intricate play of shadows within a forest setting. The mood is mysterious
masterpiece, best quality, highres, sharp image, more detail, masterpiece, best quality, highres, sharp image, more detail, A vibrant garden scene, **bursting with highly detailed and colorful flowers**. The garden is a **kaleidoscope of colors** with **vivid reds, yellows, oranges, purples, and blues** creating a **visual feast**. The flowers range from **delicate petals** to **robust blooms**, each with **intricate patterns** and **textures**: - **Petals** are **soft and velvety**, some with **veined patterns** visible upon close inspection, others with **glossy finishes**. - **Leaves** exhibit **varied textures** from **smooth and glossy** to **rough and serrated**. **Butterflies** flutter around, their **wings showcasing iridescent colors** that **complement the garden's palette**. They are **captured in various poses**: some **hovering** over the flowers, others **perched delicately** on petals or leaves. **Composition**: The camera angle is **slightly low, looking up** to give a sense of the garden's depth and to capture the **fluttering butterflies** against the sky. The scene is **framed** to include a **pathway** leading into the garden, **drawing the viewer's eye** through the floral display. **Mood and Atmosphere**: The image conveys a **sense of tranquility and wonder**. The **sunlight filters through the leaves**, casting **soft, dappled shadows** and **highlighting the vibrant colors**. The **time of day** is **mid-morning**, with **soft, warm light** enhancing the garden's allure. **Artistic Style**: This scene is **rendered in a hyper-realistic style** with **photographic clarity**, using **macro photography techniques** to capture **fine details** like **pollen on butterfly wings** and **water droplets on petals**. **Technical Aspects**: Utilize **shallow depth of field** to focus on the **foreground flowers**, with **background elements** becoming **softly blurred**, creating a **dream-like quality**. **Aperture** settings should be **wide** to ensure **sharp focus** on the nearest flowers while **allowing for a gentle bokeh** in the background. **Cohesion**: Every element from the **color scheme** to the **butterfly's interaction** with the garden works harmoniously to **evoke a serene, natural environment**, where **beauty and life** are intertwined in a **celebration of nature's splendor**.
A dramatic scene where a large menacing Lovecraftian tentacle monster attacks a small boat as a naked scared girl hurriedly changes into diving gear. The setting is an open, stormy sea with dark, waves crashing against the sides of the boat. The monster's tentacles is crushing the boat, their suction cups glistening as they wrap around the girl and the boat, causing the boat to tilt and sink. The girl struggles to put on her diving mask and fins, with an expression of fear and exhaustion. She fights against time and the raging monster. The sky is filled with dark clouds, with flashes of lightning illuminating the terrifying scene, casting a stark contrast between the violent, churning ocean and the girl's desperate effort to escape into the depths below. The image is both intense and cinematic, capturing the perilous moment of survival against a mythical sea monster.
Astronaut in a jungle, looking at viewer, cold color palette, muted colors, detailed, 8k
cinematic photo . A beautiful queen with long, flowing white hair, dressed in a regal white and gold gown, lovingly stroking the head of a giant majestic white dragon adorned with shimmering, iridescent scales, the two gently nuzzling and pressing against each other, the dragon curled protectively around her, his massive body and wings shielding her, a deep bond of trust and love evident between them, the dragon humbly receiving her tender gesture, creating a magical and intimate moment. . 35mm photograph, film, bokeh, professional, 4k, highly detailed
This image features a character that appears to be a stopmotion clay animation figure. The art style is whimsical and cartoonish, with exaggerated facial features and a playful, fantastical quality. The medium seems to be a soft, pliable clay, which is a common material for stopmotion animation. This image is a digital artwork that depicts a skeletal figure dressed in a bridal gown. The art style is a blend of gothic and surreal, with a touch of fantasy. The medium appears to be digital painting, given the smooth gradients and blending of colors.The colors in the image are predominantly cool tones, with a focus on whites, grays, and blacks, creating a stark contrast against the dark background. The bridal gown is a standout feature, with layers of white fabric that cascade down in a ruffled style. The gown is detailed with lace and floral embellishments, adding a touch of elegance to the otherwise macabre theme.The skeletal figure is adorned with a bridal veil that drapes gracefully over the shoulders and down the back. The veil is also detailed with lace and floral patterns, echoing the gowns design. The figures hair is styled in a flowing manner, with strands cascading down the back and sides, and is embellished with flowers, which complements the bridal theme.The background of the image is a dark, twisted forest, with barren trees that reach into the night sky. A full moon hangs in the background, casting a soft glow on the scene, highlighting the textures and details of the figure and the gown. Fallen leaves are scattered across the scene, adding to the eerie and mysterious atmosphere.Overall, the image is a striking and thoughtprovoking piece that juxtaposes the themes of life and death, love and loss, in a visually compelling way.
a photo of a nude mech girl, , TacExoGear, Exosuit, (off-center composition, close up Portrait), Zara Moonblade is a 22-year-old fierce female warrior, slender, muscular, platinum hair, blue eyes, moonblade, prodigy, magical, Pivoting While Dodging: Sharp pivot, dodging, twisting body away from danger, Synth-Leather Tactical Suit: A futuristic bodysuit made from flexible synth-leather, designed for urban operatives. Its glossy surface reflects neon lights, and the geometric patterns etched into the suit are actually concealed micro-wiring, connecting to cybernetic enhancements. Segmented carbon-fiber panels reinforce the shoulders, chest, and forearms, offering resistance to ballistics while maintaining a streamlined aesthetic., Demonic Overlord in Cyberpunk Mech Armor, Lavender, Orange, Bright Red, At Night in a Cyberpunk City: The skyline is dominated by towering megastructures, their glass surfaces reflecting the constant flicker of neon billboards. The streets below are bathed in electric pink and blue hues, as flying cars zoom between the skyscrapers. Graffiti-tagged drones patrol the alleys, and street vendors sell high-tech gadgets from glowing, floating kiosks., cinematic film still cybernetic robot character art by Alex Schomburg, , Pulp fiction cover art, sci-fi, dynamic . android, AI, machine, metal, wires, tech, futuristic, highly detailed . shallow depth of field, vignette, highly detailed, high budget, bokeh, cinemascope, moody, epic, gorgeous, film grain, grainy
High-resolution photograph of a close-up of a dark-skinned woman with a **shaved head**, showcasing **bold makeup**: - **Makeup**: Her face is adorned with **striking red lipstick** and **dark, smoky eyeshadow** that accentuates her eyes, creating a **high contrast** with her skin. - **Skin Texture**: Her skin is **smooth** and has a **glossy finish**, enhancing the visual allure with a **shimmering effect**. - **Accessories**: She wears **red cherry earrings** that add a **whimsical** and **festive** touch, complementing the color palette. **Composition**: - **Framing**: The subject is framed in a **close-up**, focusing on her face and shoulders, ensuring she is the **central focus**. - **Background**: A **solid black backdrop** contrasts sharply with her skin tone and the **vivid red** of her lipstick and earrings, highlighting her features. **Lighting and Atmosphere**: - **Lighting**: Soft, directional lighting that **accentuates** her features without harsh shadows, creating a **soft yet dramatic** effect. - **Mood**: The image evokes **celebration** and **historical significance**, with an atmosphere that feels **playful** and **surreal**. **Artistic Style**: - **Photography Technique**: The photo adopts a **high-key** style with dramatic makeup, reminiscent of **surrealism**, where the subject's expression and pose add to the **surreal** and **artistic** impact. **Technical Aspects**: - **Color Balance**: The image maintains a **vibrant color balance** with reds dominating, creating visual **drama** and **focus**. - **Depth of Field**: A **shallow depth of field** ensures the woman's face remains sharp while the background stays **out of focus**, enhancing the subject's prominence. The photograph captures a moment of **boldness** and **artistry**, where every element from the makeup to the accessories and the lighting contributes to a unified, **striking** visual narrative.
A ninja turtle holding a sign that says "Nvidia Sana"

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Frequently Asked Questions About ai generated sentences

How can AI-generated sentences improve my writing?

AI-generated sentences can enhance your writing by providing diverse sentence structures, improving grammar and syntax, and offering creative prompts to overcome writer's block.

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