Charcoal is a LoRA for SDXL, shared by GeneratedFilth in the Pixel Dojo community gallery. Add the trigger word Charcoal to your prompt to apply it.
Charcoal style, Charcoal on paper drawing. 1950s horror movie style photo of a giant monstrous space-monster towering over a city street. 1950s Americana town. water tower in the background, foggy atmosphere, desaturated, dramatic and eerie scene with a vintage feel.
Charcoal style, Charcoal on paper drawing. 1950s horror movie style photo of a giant monstrous space-monster towering over a city street. 1950s Americana town. water tower in the background, foggy atmosphere, desaturated, dramatic and eerie scene with a vintage feel.
Charcoal style, A frightened semi-naked Snowwhite wearing a torn and shredded fairy tale dress — long, flowing, with puffed sleeves and a high collar — runs frantically through a nightmarish forest at twilight. The gnarled trees loom tall and twisted, their bark forming sinister, contorted faces with hollow eyes and screaming mouths. Long, branch-like limbs stretch toward her like claws, some mid-swing, as if about to grab her. The forest appears alive — hungry and malevolent. Harsh, modern horror film lighting cuts across the scene, casting deep shadows and spotlighting her desperate movement. Fog swirls at her feet, and motion blur trails behind her to capture the urgency. The atmosphere is surreal and claustrophobic, as if she’s trapped inside a dark, living nightmare.
charcoal style illustration of a semi-naked stunning supermodel as a sci-fi soldier in a vintage sci-fi movie scene with a dangerous centipede space-monster, reminiscent of the bold, provocative characters from early sci-fi movies.
Create a highly detailed, atmospheric Charcoal style painting in the style of John Bauer, capturing a dark pine forest at twilight. The scene should be filled with sparse snow, highlighting the texture of the pine needles and the forest floor. The lighting should be dim, with soft, eerie glows from white mushrooms and the subtle reflection of moonlight on the snow. **Visual Elements:** - **Witch:** Portray a naked old female witch with long wild white hair and a menacing yet captivating presence. Her face is partially hidden by a hood, revealing only a sharp nose and piercing eyes. Use charcoal-like shading to add depth and a sense of foreboding. - **Forest:** The pine trees are tall, their branches reaching out like skeletal fingers. The forest floor should be littered with pine cones, fallen needles, and patches of ivy creeping over rocks and stumps. - **Details:** Include a large, rotten tree with mushrooms sprouting from its decayed surface. The ground should be uneven, with slopes and scattered rocks, some moss-covered, adding to the eerie, untouched feel of the forest. - **Textures:** Emphasize the rough bark of the trees, the smooth, cold surfaces of the rocks, the soft, crumbling texture of the stump, and the delicate, icy touch of the snow. **Composition:** - Use a low camera angle, looking up through the branches to give a sense of being watched or lost in the forest. The witch should be walking diagonally across the frame, her figure partially obscured by trees, creating a sense of movement and mystery. - The forest should dominate the foreground, with the witch emerging from the shadows, creating a sense of depth and leading the viewer's eye through the scene. **Mood and Atmosphere:** - The atmosphere should be one of quiet, eerie beauty, with the witch's presence adding a touch of danger and the supernatural. The watercolor should be applied in a way that suggests a misty, almost dreamlike quality, enhancing the surreal and slightly unsettling mood. **Technical Aspects:** - Apply watercolor washes to create a hazy, ethereal background, contrasting with the sharp, detailed charcoal-like rendering of the witch and key forest elements. - Utilize negative space effectively to enhance the sense of isolation and the vastness of the forest. **Style:** - Capture the essence of John Bauer’s work with its blend of fantasy, folklore, and dark, enchanting natural settings. Emulate his use of line and color to define form while maintaining the watercolor's characteristic fluidity and transparency
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