Concrete Dreams Exhibition Poster

A screen-printed exhibition poster announces Concrete Dreams, a survey of modernist houses from 1950 to 1975, opening 14 March at Galerie Nord, Berlin. Heavy geometric sans-serif type stacks the title vertically along the left margin in signal red, while a smaller charcoal line of dates sits beneath it. The composition follows a strict Bauhaus grid: thin black rules divide the off-white field, a circular crop occupies the center, and the opening date sits flush in the lower right. Inside the circle, a black-and-white photograph shows a cantilevered concrete volume perched on a pine-covered cliff. Horizontal board-marked walls, deep window reveals, and a floating terrace read as both sculpture and shelter. The surrounding forest and rock face remain sharply focused, so the building appears to hover rather than rest. Flat inks, visible paper grain, and slight misregistration give the print the tactile quality of mid-century workshop production. The palette is limited to red, charcoal, and cream. Negative space around the photograph and the spare typographic hierarchy produce a calm, architectural mood. The poster functions equally as invitation and object: a precise, analog artifact that frames brutalist domestic architecture as both historical fact and dream.