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Luma's Uni-1 image model on Pixel Dojo

Luma UNI 1 AI Image Generator

Luma UNI 1 makes images that look like frames from a film, with real grain, hard light and texture you can feel in skin, wool, steam and sea spray.

Make cinematic stills, editorial portraits, food photography, graphic posters with clean lettering and inked manga panels, then add up to 8 reference images to edit a picture or re-shoot it from a new camera angle. Pixel Dojo runs Luma's Uni-1 in two tiers from one prompt box: Standard at 1 credit per image and MAX at 3 credits. We made every example below on Pixel Dojo, and each one comes with the exact prompt behind it, so you can start from any of them.

1 credit ($0.06) per image. Included in every plan, from $10/month.

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Wide cinematic still of a woman in a yellow oilskin coat and cap leaning back to haul a wet rope on a concrete pier while a huge wave bursts into white spray behind a lit lamp post, teal storm sky with thin amber lens flare lines
Anamorphic wide film still from a low angle on a wave battered concrete pier at dusk: a lighthouse keeper in a yellow oilskin coat leans back hauling a thick wet rope as a wave explodes into white spray behind her, sodium lamp glow against a slate blue storm sky, horizontal lens flare, teal and amber grade, 35mm film grain.

What you can create with Luma UNI 1

We made these seven on Pixel Dojo, from a storm at sea to a risograph poster. Each caption names the tier, Standard at 1 credit or MAX at 3 credits. Tap Use this prompt on any image to open the tool with that prompt ready, pick the same tier and aspect ratio, and make your own.

Wide cinematic still of a woman in a yellow oilskin coat and cap leaning back to haul a wet rope on a concrete pier while a huge wave bursts into white spray behind a lit lamp post, teal storm sky with thin amber lens flare lines

MAX tier. An anamorphic storm still: a woman in a yellow oilskin leans back on the rope as a wave explodes behind a sodium lamp, with streaks of lens flare and a teal and amber grade. Start from this prompt for your own film frame.

Anamorphic wide film still from a low angle on a wave battered concrete pier at dusk: a lighthouse keeper in a yellow oilskin coat leans back hauling a thick wet rope as a wave explodes into white spray behind her, sodium lamp glow against a slate blue storm sky, horizontal lens flare, teal and amber grade, 35mm film grain.

Luma UNI 13 credits2:1
Looking up a ringed concrete shaft toward a round white skylight, stacked railings circling above, a woman in a red wool coat leaning on a railing with folded arms and looking down at the camera, cool grey concrete filling the frame

MAX tier. A worm's eye view up a concrete stairwell, where rings of railing pull the eye to a round skylight and one red coat stands out against cool grey concrete.

Worm's eye view looking straight up a concrete spiral stairwell in a brutalist library: the stairs coil toward a round skylight, a woman in a red wool coat leans over the railing four floors up looking down at the camera, cool overcast daylight, 14mm ultra wide lens, perfect radial symmetry, fine concrete texture.

Luma UNI 13 credits9:16
Close portrait of a woman in her sixties with a silver buzz cut and deeply lined tan skin, a gold earring, the high collar of a cobalt blue wool coat turned up around her face, a white salt flat and pale sky behind her in hard sun

Standard tier, 1 credit. An editorial portrait in hard noon sun: every line of weathered skin, a gold earring and the nap of cobalt wool against a white salt flat.

Editorial fashion portrait, medium close up: a woman in her sixties with a silver buzz cut, weathered tan skin and a single gold hoop earring wears an oversized cobalt blue wool coat with the collar turned up against the wind on a white salt flat, harsh noon sun with hard shadows, medium format film texture, crisp detail in skin and wool.

Luma UNI 11 credits2:3
Cast iron pan of shakshuka with crumbled feta and parsley on a walnut table, a hand dragging torn flatbread through a runny yolk that streams in a long golden drip, steam rising in warm side light, a linen napkin in the corner

Standard tier. Food photography that makes you hungry: a yolk streaming onto torn flatbread, curling steam, crumbled feta and warm side light. Swap in your own dish.

Close three quarter food photograph at 50mm f/2: a cast iron pan of shakshuka with torn feta and chopped parsley on a walnut table, a hand tears warm flatbread and drags it through a runny yolk, steam curling in side window light, scattered crumbs and a linen napkin, rich warm tones.

Luma UNI 11 credits3:2
Two color risograph style poster in teal and orange: the headline LANTERN TIDE in big orange condensed capitals across the top, a teal lighthouse on a headland throwing an orange beam across a grainy sky, a small orange ferry on dark striped water, and HARBOR NIGHT MARKET in widely spaced dark teal capitals on the cream bottom margin

Standard tier. A two color risograph poster with LANTERN TIDE and HARBOR NIGHT MARKET spelled cleanly, grainy overprint texture and a lighthouse beam sweeping the sky. Made for event posters and prints.

Two color risograph poster for an invented harbor night market: a lighthouse beam sweeps across a dark teal sea over a small orange ferry, the huge bold condensed headline "LANTERN TIDE" in cream across the top, a smaller line "HARBOR NIGHT MARKET" along the bottom, teal and warm orange overprint, visible paper grain, slight misregistration, strong graphic composition with clean margins.

Luma UNI 11 credits2:3
Black and white manga panel of a stocky chef in a knotted headband heaving a flaming wok of noodles over his head with both hands, speed lines radiating behind him and screentone shading

MAX tier with the manga style preset. A chef heaves a flaming wok of noodles overhead in crisp ink, with speed lines and screentone shading. Set Style to manga for the same look.

Dynamic manga panel from an extreme low angle: a broad shouldered ramen chef in his fifties with a knotted headband tosses noodles high out of a roaring wok, flames and flying broth droplets frozen mid air, bold speed lines, crisp ink linework, heavy screentone shading, deep spot blacks.

Luma UNI 13 credits2:3
Top down drone view of a wet concrete pier at dusk: a small figure in a yellow coat hauls a rope coiled at the pier edge, warm pools of lamplight on the stone and a white wave breaking along the bottom of the frame

MAX tier in edit mode. We added the storm pier image as a reference and asked for an overhead drone shot, and the yellow coat, the rope coil and the storm grade carried into a whole new camera angle. Add your own image as a reference before you use this prompt.

Same scene, new camera: a high overhead drone shot looking straight down at this concrete pier, the woman in the yellow oilskin coat small in the frame hauling the rope, the wave breaking white across the pier edge, the lamp post casting a pool of amber light, same storm dusk color grade.

Luma UNI 13 credits3:2

Luma UNI 1 Standard or MAX: which tier to pick

Luma UNI 1 runs in two tiers from one tool, and both return the same full resolution, up to 2912 x 1440 pixels at 2:1. Standard uses 1 credit per image and MAX uses 3 credits, so you choose by the kind of image you want, not by size.

Standard is where we go for light, color, texture and food. Our salt flat portrait, our shakshuka and our risograph poster are all Standard images, and the poster set both lines of lettering cleanly.

MAX shines when the prompt hinges on what a body is doing. Ask for a woman in an oilskin leaning back on a rope or a woman leaning on a railing to look down, and MAX puts the pose where you described it. Our storm pier hero, the stairwell and the manga chef are MAX images.

Our tip for both tiers: lead with the shot (anamorphic wide, worm's eye, overhead drone), give the action its own clause, then name the light, the lens and the grade. Every prompt on this page follows that pattern, so any of them makes a good template.

More Luma UNI 1 images and how to get results like these

Two prompts from above in the other tier, plus a new product shot: the storm pier on Standard with bold color and spray, a moodier shakshuka on MAX, and a sage green kettle pouring a glassy ribbon of water on MAX.

Wide film still with a black frame border of a woman in a yellow oilskin coat and cap leaning forward to pull a rope on a wet pier, a wave exploding into spray behind her, a lit street lamp at left and a small lighthouse on the horizon

Standard tier, 1 credit. The storm pier prompt framed with a film border: a woman in a yellow oilskin hauls the rope as spray explodes behind her, with a glowing lamp at left and a lighthouse on the horizon.

Anamorphic wide film still from a low angle on a wave battered concrete pier at dusk: a lighthouse keeper in a yellow oilskin coat leans back hauling a thick wet rope as a wave explodes into white spray behind her, sodium lamp glow against a slate blue storm sky, horizontal lens flare, teal and amber grade, 35mm film grain.

Luma UNI 11 credits2:1
Cast iron pan of shakshuka with feta and parsley on a dark wood table near a window, a weathered hand dipping flatbread into a broken yolk, steam and scattered crumbs

MAX tier. The shakshuka prompt in a darker, moodier grade, with window light, rising steam and a weathered hand dipping flatbread into the yolk.

Close three quarter food photograph at 50mm f/2: a cast iron pan of shakshuka with torn feta and chopped parsley on a walnut table, a hand tears warm flatbread and drags it through a runny yolk, steam curling in side window light, scattered crumbs and a linen napkin, rich warm tones.

Luma UNI 13 credits3:2
Sage green matte ceramic gooseneck kettle entering the frame from the top left and pouring a thin clear stream into a glass carafe beaded with condensation on a travertine slab, droplets flying from the carafe lip in raking morning light

MAX tier. A commercial product shot: a sage green ceramic gooseneck pours a glassy ribbon of water into a carafe beaded with condensation, with droplets catching the raking morning light.

Commercial product hero shot on a 100mm macro lens: a matte sage green ceramic pour over kettle resting on a travertine slab pours a thin glassy ribbon of water into a clear glass carafe, raking morning light from the left, long soft shadows, droplets catching highlights, warm neutral backdrop, clean minimal styling.

Luma UNI 13 credits1:1
  • Standard and MAX return the same resolution, so every 1 credit Standard image is ready to use at full size.
  • Standard brings the light and texture: the storm spray, the weathered skin on the salt flat and the shakshuka steam all came from the 1 credit tier.
  • MAX follows body direction closely: the woman on the pier leans back on the rope and the woman leans on the railing, just as the prompts describe.
  • Name the lens, the light and the grade. Phrases like 35mm film grain, teal and amber grade or 50mm f/2 in side window light give Luma UNI 1 its film look.
  • For product shots, describe one motion beat and the light direction, as in the kettle prompt: a thin ribbon of water, raking light from the left, droplets catching highlights.
  • Use edit mode to re-frame a scene: add your image as a reference, ask for a new camera, and the subject, props and color grade carry over.
  • For manga, set Style to manga on a text prompt and ask for ink linework, screentone and speed lines.

Luma UNI 1 vs Krea Image on the same editorial portrait

We gave Luma UNI 1 MAX and Krea Image Large the same editorial portrait prompt at 2:3. Luma UNI 1 leaned into the brief's texture: deep lines and sun spots in weathered skin, a clear gold hoop and hard noon light on the face, at 1632 x 2464 pixels, about four times the pixels of Krea's 832 x 1248. Krea Image went for a graphic fashion profile against a saturated blue sky. Pick Luma UNI 1 when skin, fabric and light detail sell the image.

Same prompt: Editorial fashion portrait, medium close up: a woman in her sixties with a silver buzz cut, weathered tan skin and a single gold hoop earring wears an oversized cobalt blue wool coat with the collar turned up against the wind on a white salt flat, harsh noon sun with hard shadows, medium format film texture, crisp detail in skin and wool.

Luma UNI 1 MAX portrait: a woman in her sixties with a silver buzz cut, deeply lined sun spotted tan skin and a gold hoop earring, wrapped in a high collared cobalt wool coat, facing the camera on a salt flat in hard lightLuma UNI 1

Luma UNI 1 MAX. Deep lines and sun spots in weathered tan skin, a clear gold hoop and hard light on the face, with thick cobalt wool wrapped high around the neck.

Editorial fashion portrait, medium close up: a woman in her sixties with a silver buzz cut, weathered tan skin and a single gold hoop earring wears an oversized cobalt blue wool coat with the collar turned up against the wind on a white salt flat, harsh noon sun with hard shadows, medium format film texture, crisp detail in skin and wool.

Luma UNI 13 credits2:3
Krea Image Large portrait: a silver haired woman in a cobalt wool coat seen in profile against a saturated blue sky over a white salt flat, a small gold hoop earring, a long shadow on the ground behind herKrea Image (Large)

Krea Image Large. A striking fashion profile in a tailored cobalt coat against a deep blue sky, with a long shadow across the salt.

Editorial fashion portrait, medium close up: a woman in her sixties with a silver buzz cut, weathered tan skin and a single gold hoop earring wears an oversized cobalt blue wool coat with the collar turned up against the wind on a white salt flat, harsh noon sun with hard shadows, medium format film texture, crisp detail in skin and wool.

Krea Image (Large)2 credits2:3
Luma UNI 1Krea Image (Large)
Credits for this image3 on MAX (1 on Standard)2
Output size1632 x 2464832 x 1248
Skin detailDeep lines, sun spots, weathered tanSmooth and softly lined
FabricThick textured cobalt wool wrapped highTailored cobalt coat
LightHard noon light on the faceSaturated blue sky, long shadow
Pose and stylingFaces the camera, direct and closeProfile, graphic fashion look
More on Krea Image (Large)

Luma UNI 1 pricing: 1 credit per image on Standard

Luma UNI 1 is included in every Pixel Dojo plan, with plans from $10/month. Each image uses credits from your plan: 1 credit on Standard and 3 credits on MAX, the same tiers named on the examples above.

Edit mode costs the same as a text prompt, so re-framing an image with references on MAX is 3 credits. Ask for up to four images in one run and each image uses its own credits. The Pixel Dojo API charges the same credits per image.

One subscription covers Luma UNI 1 and every other model on Pixel Dojo.

Luma UNI 1 questions

What is Luma UNI 1?

Luma UNI 1, also called Uni-1, is Luma AI's first unified understanding and generation model, which Luma describes as a multimodal reasoning model that can generate pixels. On Pixel Dojo it makes and edits images from one prompt box in two tiers, Standard and MAX. Type a prompt in the box on this page or tap Use this prompt on any example to start.

What is Luma UNI 1 best at?

Images that look like film frames and editorial photography: grain, hard light, lens flare and texture in skin, wool, food and sea spray. It also sets short poster lettering cleanly, draws inked manga panels with the manga style preset and re-frames a scene from a reference image in edit mode.

How much does Luma UNI 1 cost?

Luma UNI 1 is included in every Pixel Dojo plan, with plans from $10/month. Standard uses 1 credit per image and MAX uses 3 credits per image, in text to image and in edit mode. The Pixel Dojo API charges the same credits.

What is the difference between Luma UNI 1 Standard and MAX?

Both run in the same tool and return the same resolution. Standard at 1 credit is our pick for light, texture, color, food and posters. MAX at 3 credits follows poses and body direction closely, so pick it when the action carries the image, like a woman leaning back on a rope in a storm.

What resolution and aspect ratios does Luma UNI 1 support?

Luma UNI 1 makes large images on both tiers: 2912 x 1440 at 2:1, 2464 x 1632 at 3:2, 2048 x 2048 at 1:1, 1632 x 2464 at 2:3 and 1504 x 2672 at 9:16, the same on Standard and MAX. Pick from seven aspect ratios: 1:1, 16:9, 9:16, 3:2, 2:3, 2:1 and 1:2.

Can Luma UNI 1 edit my own images?

Yes. Add up to 8 reference images and the same tool switches to edit mode. We added our storm pier image and asked for an overhead drone shot, and the yellow coat, the rope coil and the storm color grade carried into the new camera angle.

Can Luma UNI 1 render text and draw manga?

Yes. Put short lines of lettering in quotes: our risograph poster set LANTERN TIDE and HARBOR NIGHT MARKET cleanly. For manga, set the style preset to manga on a text prompt to get inked panels with screentone shading and speed lines.

Make your first Luma UNI 1 image

Write a prompt above or start from any example on this page. One subscription covers every model on Pixel Dojo.

Start with Luma UNI 1